Chase Petra announces fall 2026 tour with JER and Leisure Hour

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Chase Petra at 2026 Idobi Summer School Tour in Cincinnati, OH. Photo by Ava Reynolds (@existentialshowpony).

Coming off an amazing idobi Radio Summer School Tour, Chase Petra has officially announced a fall headlining tour. With support from JER and Leisure Hour, the I’m Suffering a Terrible Ennui Tour promises to bring together three of the most exciting names in the current alternative scene,.

JER has built their recognition through an iconic blend of ska, punk, and reggae, making them an incredibly unique and infectious act. Their genre-bending sound and high energy shows have solidified a dedicated fanbase.

JER will be supporting Chase Petra on their upcoming fall 2026 tour. (credit: Rae Mystic)

Joining them is Indiana’s Leisure Hour, who have been gaining momentum with their mix of emo, indie rock, and alternative influences. Coming off a successful headlining tour complete with a performance at the 2026 Vans Warped Tour, Leisure Hour is a perfect fit for this lineup.

Coming off a successful summer 2026 run, Leisure Hour will be joining Chase Petra this fall (credit: @ethiepics).

Additional support will be split between The Sewing Club, Idkconundrum, and Trophy Wife. Between all these highly impressive bands, this tour is shaping up to be a cannot miss event.

Catch a show near you starting November 13, 2026 in Fresno, CA. Tickets are available here.

Chase Petra is headlining a fall 2026 tour titled the I’m Suffering a Terrible Ennui Tour, with support from JER and Leisure Hour.

Keep up with Chase Petra: Instagram // X // Facebook

Ava Reynolds
Ava Reynolds
I am a music writer and concert photographer who thrives by the chaos and electricity of live music. I love capturing the charged moments that seem fleeting, blinding lights, subtle expressions, the emotionally charged space between artists and the crowd where everything feels louder, more golden. I love translating that energy through both images and words. From cramped local venues to massive stages, I move in fast-paced, unpredictable environments, documenting shows as they happen, preserving their memory. I’m drawn to the raw, the unpolished, the real, and the intimate, building visual and written narratives that pull people back into the room. Wherever I am, I’m focused on memorializing the feeling of live music so it doesn’t disappear when the last song ends.

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