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Songs to Listen to When… Colorblind Edition

Who gets to be a fan? — A Phoebe Bridgers case study

10 bands to have on your playlist this summer

Ones to watch: Don’t miss these artists at BLUDFEST Year 3

Top 5 artists to catch at Bonnaroo 2026

The future is DIY: how ‘Kitty Kant Compilation: Volume Two’ reclaims hope through sound

The chaos and the calm: Royal & the Serpent releases standout debut record, “Emptiness is Godly” — Album Review

Brenn! shows us how to embrace growing pains on stark, soul-excavating ‘AMATEUR AT BEST’ — Album Review

Johnny Orlando is being open and honest in the situationship age on ‘Songs For Young Lovers’ — Album Review

Spacey Jane’s new EP shows us that breakups are the business and love is the art

BROCKHOFF reveals what’s hiding underneath her debut album, ‘Easy Peeler’

Jade LeMac talks Gov Ball, career growth, and staying true to herself

frau finds the light on “truth” ahead of debut album ‘flutter’

EAZYBAKED dig into early beginnings and what EDM means to them

Mother Mother discuss virality, creative freedom, and what comes next

Ari Lennox brings the ‘Vacancy’ Motel to Brooklyn

Lord Huron Cast a Spell Over Richmond at Virginia Credit Union LIVE!

Jinjer Leads a Relentless Night of Heavy Music in Atlanta

From Trepid to Wieuca and The Pink Stones: Artists to watch at AthFest 2026

Governors Ball 2026: soundtrack of a New York summer

On Your Radar: Honey Revenge

On Your Radar: John Harvie

On Your Radar: KALEO

On Your Radar: Violet Grohl

On Your Radar: Colorblind

Alexa Kate highlights self-sabotage in “The Aftermath”

Zoey Madison releases new single “Love Like You” — a striking follow-up showcasing her expansive vocal range

Songs to Listen to When… Colorblind Edition

Isaac Neilson turns vulnerability into momentum on “Getting Better”

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