Recommended tracks: “Fine, Let’s Get Married,” “Jocelyn”
Artists you may like: The Last Dinner Party, Wet Leg, Blondshell
Up-and-coming alt-rock band The Beaches have released their newest album, No Hard Feelings. A series of singles built anticipation for the album, showcasing the band’s signature blend of vulnerable lyrics and unapologetic energy. This project has solidified them as one of alt-rock’s strongest forces.
No Hard Feelings utilizes gritty guitar, pulsing drums, and powerful vocals to draw listeners in. The album takes you on an emotional roller coaster—blasting “Last Girls At The Party” with your best friends in the car one moment, then crying to “Lesbian Of The Year” during a quarter-life crisis on your bedroom floor the next. Every track carries a hook you won’t be able to forget, making the album feel like one big anthem.
Opening with “Can I Call You in the Morning,” the album immediately establishes its tone. The track offers a raw depiction of self-destruction, resonating with anyone who has ever said “I’m fine” while masking their pain. It’s a song steeped in rage and regret, torn between mental health struggles and the strain they place on relationships. Following the themes of strained relationships, “Did I Say Too Much” sheds light on the emotional turmoil of a messy relationship filled with blurred lines and confusion. Lead vocalist Jordan Miller longingly sings, “Even in the breakup, you can’t make your mind up,” highlighting how painful another person’s indecisiveness can be.
The album changes pace with “Sorry For Your Loss,” a track that stands out as a healing anthem. The song injects the album with strength, serving as a powerful reminder of self-worth. The punchy drums along with the fast-paced guitar riff gives the track a sense of resilience. “Dirty Laundry” sticks to a similar theme but adds its own spin. It’s lighter and perkier, with a hook that makes it clear that an ex has to deal with their dirty laundry themselves.
Of course, we have to discuss the heartbreak anthems of No Hard Feelings. “Touch Myself” and “I Wore You Better” are your go-to tracks for getting over that one girl. “Touch Myself” is about the one that got away, while “I Wore You Better” is about the one who did you wrong. “I Wore You Better” includes a high-octane guitar solo that electrifies the song, fueling it with emotion that makes you want to press play over and over again.
One of my favorite tracks on the album is “Fine, Let’s Get Married.” The story within this song is a classic one, exploring the troubled cycle of a toxic relationship. With the line “what is this going to come to,” Miller captures the uncertainty of remaining in a troubled relationship. The song delves into difficult circumstances, such as staying with a partner out of obligation to their family. The tune also has an irresistibly addictive chorus, one that feels made for late-night drives, where singing along becomes just as much of a release as the music itself.
And of course, an honorable mention goes to “Lesbian Of The Year” for its complete vulnerability. The song plays like the soundtrack of a coming-of-age movie’s defining moment of self-discovery. This track is bound to hold a special place in the hearts of many of The Beaches’ fans.
The album wraps up with tracks “Jocelyn” and “Last Girls At The Party.” “Jocelyn” is a riveting story about two people in love, but one person doesn’t see a future with the other simply because they don’t think they’re good enough for them. Once again, the song unfolds as a classic tale of self-destruction. “Last Girls At The Party” is an absolute banger about The Beaches’ rock-and-roll lifestyle, filled with late-night chaos and carefree energy. Its bridge builds in intensity and speed before bursting into the final chorus of the album. Singing “gonna be the last girls at the party” feels like their declaration that they’re here to stay in the alt-rock scene, solidifying their place as a band to watch.
No Hard Feelings is more than just an album; it’s a statement that The Beaches are carving out their place as one of alt-rock’s most exciting forces. With its mix of anthems for heartbreak, healing, and reckless fun, the project showcases their range while staying true to their unapologetic energy.
As the band takes these songs on tour, fans can expect the same raw emotion and electric spirit that bleeds through the record to come alive on stage, proving that The Beaches are not only here to stay but also ready to thrive. Tickets to all dates of The Beaches’ tour dates can be found here.
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