There’s a specific kind of frustration that comes with knowing something isn’t working, but still trying to fix it anyway. The song “Roundabouts” captures that moment with clarity and restraint, as Jess Ball reflects on a relationship stuck in repetition.
After building her name as a topliner for artists like Dash Berlin and EDX, Ball’s solo work continues to move further into alt-pop, with a focus on honest writing and controlled delivery. “Roundabouts” fits neatly into that space, keeping things minimal while letting the emotion come through in her voice.
Her vocals carry the track with ease. There’s a sense of weariness in the way she phrases certain lines, balanced with a calm acceptance that it’s time to let go. It never feels overworked or dramatic. Instead, she keeps things measured, which makes the message land more naturally.
The production blends soft brass, light hip-hop rhythms, and a clean pop structure. Nothing feels crowded. The hook stands out in particular, bringing in a slightly jazzy touch that adds warmth and gives the track its identity. It’s smooth without being predictable and stays with you after the first listen.
The writing focuses on cycles within relationships, where effort turns into routine and connection starts to slip. The roundabout metaphor is simple but effective, capturing that sense of going nowhere despite constant motion. It’s less about heartbreak and more about recognition and the decision to step away.
There are clear touchpoints for fans of Cigarettes After Sex, Olivia Dean, and Massive Attack, especially in the balance between atmosphere and understated emotion.
With “Roundabouts,” Jess Ball shows a steady sense of direction in her solo work. It’s a track that doesn’t try to do too much and that’s exactly why it works.
