King Ludd, the brainchild of seasoned producer and engineer Michael Keire, delivers a blistering debut on “Trouble,” a post-hardcore anthem fueled by tenacity, resilience, and the raw chaos of creation. With influences spanning from Fugazi to The Mars Volta, “Trouble” thrives in tension, embracing a cinematic, narrative-driven structure that transcends traditional song formulas.
The track is born from a deep admiration for the sincerity and drive found in music and art, channeling the energy of punk, the playfulness of experimental noise, and the fearless spirit of “skate and destroy.” Keire crafts an auditory experience where each section unfolds like a scene in a film, utilizing soundscapes and tone as essential storytelling elements.
Featuring Luke Bentham (The Dirty Nil) on lead guitar, Theo Mckibbon (The Trews) on drums, Linnea Siggelkow (Ellis) on backing vocals, Jon Harvey (The Wild High) on bass, Marco Bressette (Dead Tired) on rhythm/lead guitar and even more Hamilton, ON talent, the song is unstoppable.
I wanted the song to feel exciting, unpredictable—like stepping into the unknown and embracing the madness. Each part had to serve the moment, not just fit into a verse-chorus mold. Soundscapes and textures matter just as much as melody in evoking a feeling, and I wanted to use every tool available to make that happen. – Michael Keire (rhythm guitar, the nebulophone and drum programming)
What you hear is the first take of the completed lyrics—a pure, unfiltered moment. It’s a channeling of energy right onto the tape. No overthinking, no tinkering, just passionate fervor and commotion. I ate the big dinner, indeed. – Adam Bentley (vocals)
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I wanted the song to feel exciting, unpredictable—like stepping into the unknown and embracing the madness. Each part had to serve the moment, not just fit into a verse-chorus mold. Soundscapes and textures matter just as much as melody in evoking a feeling, and I wanted to use every tool available to make that happen. – Michael Keire (rhythm guitar, the nebulophone and drum programming)
What you hear is the first take of the completed lyrics—a pure, unfiltered moment. It’s a channeling of energy right onto the tape. No overthinking, no tinkering, just passionate fervor and commotion. I ate the big dinner, indeed. – Adam Bentley (vocals)
